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Magnitude 7

April 6, 2012 in Art Blog, Art competition, Artist Submissions

8th Annual MAGNITUDE 7

Deadline for Entry: April 18, 2012

Every year Manifest calls for little works of art from around the world.
Each exhibit brings in hundreds of powerful yet diminutive masterpieces for our jury to consider. Inevitably we end up with a gallery full of diverse, compelling, and exquisite little gems. Manifest’s patrons eagerly await the Magnitude SEVEN event each year. So we are always excited to offer this call to artists to submit works no larger than seven inches in any dimension (any proportion). Standard presentation devices like mats and frames that are not considered part of the work of art are not limited by the 7″ criteria. 


Eligibility: Magnitude 7 is open to everyone. Professionals as well as students are encouraged to enter. The only limitation is that entries must represent original works of art that are 7″ or smaller.

Media: Open to any and all traditional and non-traditional genre and media, including mixed media. The only limiting factor is size. There is no other thematic guideline.

Jury and Curator: Manifest’s selection process involves a complex two-part system. This exhibit will be juried by a 5-9 member panel of professional and academic advisors with a broad range of expertise. The jury will then pass along their recommendations to the exhibit curator who will make the final selections from the jury-approved pool.

Catalog: Manifest will produce a full-color catalog documenting the work selected for exhibit. Each exhibiting artist will receive one free copy of the catalog. Artists will receive their copy either in person when picking up work after the exhbit, or with the return shipment of their artwork. Additional copies can be purchased via the online bookstore. For examples of past catalogs visit Manifest Press.

Delivery and Return of Work: All work accepted for the exhibition must arrive ready to install. Works not gallery-ready, or not exhibiting good craftsmanship, may be omitted from the exhibit. Accepted work that differs significantly from the entry images or suffers from poor presentation, will be disqualified. Please note that professional-level presentation is a must. Work may be hand delivered or shipped. Shipped works must be sent in an easily reusable container/packaging with return shipping prepaid, and include the return shipping label with the work. Works will be returned in the same manner as delivered or via UPS/USPS. All work must arrive at Manifest by the specified date (see calendar below). Accepted work will remain on display for the duration of the exhibition. Works not claimed within 30 days of the end of the exhibit will become the property of Manifest. The artists are responsible for all shipping costs.


Calendar:

April 18April 30May 11May 26

June 1

June 29

June 30 – July 6

July 5

Deadline for receipt of entriesNotifications sent by email to all entrants sometime this week.Hi-res images needed for catalog and PRArtwork due to Manifest by this date

Opening reception

Final Day of Exhibition

Pick-up hand-delivered work

Schedule shipped artwork for pickup (arranged by artist)

 

Insurance: Works will be insured while on gallery premises. Insurance covers theft, vandalism, damage caused by gallery patrons or staff (in accordance with insurance policy). PLEASE NOTE: Insurance does not cover damage caused during shipping due to any reason, including mishandling by carrier or failure of packaging to protect works in transit. Also not covered is damage caused to work by failure of the work itself, its mounting systems installed by the artist, or disintegration/degradation due to the nature/quality of materials or craftsmanship.

Entry Fee: Each work submitted must be accompanied by a $10 non-refundable entry fee. Number of entries is unlimited. Entry fee must be paid by U.S. check or U.S. or International money order made payable to MANIFEST, or by credit card via PayPal. (If paying by PayPal PLEASE use the paypal link provided on the page that follows the submission of the online entry form.) Detail images may be included at no additional cost, but should only be included if necessary for understanding the nature or quality of the artwork. For more than one entry fee paid by PayPal PLEASE remember to update quantity when doing so on the PayPal site.

How many works should I submit?
The average number of works submitted to typical Manifest calls is 3. Some artists like to submit several more, especially if they have a couple different bodies of work which they’d like our jury to consider, or if they have a suite of works that are interrelated. While we have absolutely no minimum number required (other than one), nor do we give an advantage to those who submit more, it is helpful to have a few options to select from at the curatorial stage. And we do routinely accept pairs or sets of work by artists once they are determined to be a finalist through our blind jury system.

Sale of Work: All work, unless indicated as not for sale (NFS), will be available for sale during exhibit. Manifest Gallery will retain a commission of 30% on all artwork sold during the exhibition.

Submission Images: In an effort to conserve resources Manifest accepts only digital images/files for consideration. See specifications below. The Gallery will retain the submitted images of accepted artwork and reserves the right to use the images in publications and gallery publicity. CD’s of works not selected will only be returned if accompanied by a SASE.

 

View the rest of the artists call 

Open Call!

March 13, 2012 in Art Blog, Art competition, Artist Submissions, Resources

Open Call!
Field Projects Show #4 curated by David C. Terry

Field Projects is pleased to announce our first open call exhibition; emerging and mid-career artists are invited to submit their work for consideration in our April exhibition, Show #4. Submissions will be viewed and selected for Show #4 by David C. Terry, Senior Program Officer and Curator at the New York Foundation for the Arts (NYFA). All of the submissions we receive will be considered not only for Show #4 but also for our upcoming exhibition calendar.

Field Projects is an NYC-based project space committed to opening the field and exhibition opportunities to other working artists. All of the submissions we receive will be considered not only for Show #4 but also for our upcoming exhibition calendar. As a growing space, this is a fantastic time to submit your work. We are looking for new talent, ideas and practices in the contemporary art field.

About the Curator
David C. Terry is the Senior Program Officer/Curator in the Programs and Awards Department, and manager of the Fellowship and Curatorial Programs at the New York Foundation for the Arts (NYFA). Mr. Terry is a working artist, curator, juror, and a panelist for the New York State Council on the Arts, Bronx Council on the Arts, Westchester Biennale, the Alexander Rutsch Award in Painting, and the Woodstock Byrdcliffe Artist in Residence Program.

Terry was recently selected as a resident in the Elizabeth Foundation’s Residency Grant for Arts Workers in 2011 but also been the recipient of awards including AIM at The Bronx Museum; BRIO, Bronx Council on the Arts; The Puffin Foundation; New York Foundation for the Arts Fellowship in Sculpture, and the Arts and Business Council’s Arts Leadership Institute Award.

Eligibility & Terms
-Artists working in all mediums are welcome to apply.
-All artwork submitted must be ready to hang.
-Artists living outside NYC are also welcome to apply, however you will be responsible for artwork shipping costs.
-Artists working in new media, film, or video- you will be required to use your own equipment for exhibitions.

Submission Fee
$25

Deadline
Friday April 6, 2012, 11:59 PM !!
(Please note, due to time limitations there will be no extensions)

About Show #4
-Selected artists will be notified the week of April 9th.
-All artwork must arrive at Field Projects by Monday April 23rd
-Show #4 opens on Thursday April 26th and will run through Sunday May 6th

to apply go to the Field Project’s website.

Unsolicited Submissions Will NOT Be Accepted

September 2, 2011 in Art Blog

Ugh, if I see another gallery making this statement.. I’m gonna! (fist shaking-quickly up in the air with the most annoyed look one can muster)

What is an emerging artist to do? How can an unrepresented artist pierce this barrier? Should you? Has it worked for you? What about the old-school take your work under your arm and do a face to face? For some this has worked like a charm, but for others like me- the idea of showing up to a gallery even if it is the right gallery for your type of art, seems like the scariest idea ever concocted.

The best way to face fear is to push through it.

Artists looking for a gallery are much like the chronically unemployed looking for a job; a sad lonely puppy looking for a home with the ever looming end always close. Well OK, I exaggerate, on the worse days it might feel like the latter but on a good day it is always a hopeful interesting day filled of possibilities. The real questions is how is your business-of-art-machine working, is it in need of some lube, (stop it you guys!, I’m serious! ;) I’m talking about the art of making the process of submitting your art to responsive art galleries and other opportunities a well oiled machine. A somewhat of a unemotional endeavor that has noting to do with the quality of your work but more of a process in which you are able to find the right art relationships where you are right now in your artistic journey. So where are you? Out of college, mid career, still searching for your art voice? Well, if you are like me maybe you have been all of these at some points of your art life.

The practice of sending your work as artists submissions is indeed humbling work, where it takes a bit of courage, confidence in your abilities and persistence to get results.

I was told waaay back in the beginning of my career that it averages 5 years to get started in an art career with gallery representation as well as a regular exhibition schedule. Now, I believe it depends. It depends on you and the amount of energy you put in this part of your artist career. One thing is to have an art practice and another is to have an artist’s career.

Artists also need to take other things into consideration i.e., living expenses and life in general (hum.. duh!?). Sometimes life in general is the very thing that takes the art right out of the artist because it seems impossible to sustain both. Years back when I lived in NYC I was at an opening in Chelsea and met this young attractive artist who from a distance had it all, she lived in a city filled with artist’s opportunities and the youth and care free independence that are soo necessary to get started in this artistic endeavor. We engaged in casual conversation and I started to ramble about the gallery I was starting with a good friend and this and that and of course my kids. She looked at me visibly distressed and responded to my rambling “Wow, you have kids too? I can’t seem to get any time in the studio.. let alone get a gallery to see my work. I’ve stopped working… I’m thinking of moving out of the city”. Her eyes wondered into the distance and I could feel her anxiety and all of her punishing self-doubt. All these years have passed and I’ve always wondered what ever happened to her and her artist-spirit. Did she move? Did she continue working?

I also remembered her when I felt exactly the same way and up-rooted my family outside of NYC feeling quite defeated. I still remember her when now, just occasionally, feels like things are stalking against my time at the studio or when I’m feeling like surrendering to life’s demands..

Agreed, it is at times challenging, and let’s face it, other times, making art seems impossible, but, I can tell you from experience it is attainable. The saying that goes “you CAN have it all” -a very American/feminist thing to say- is at its core true but the saying submits itself to “time” and “efficiency”. You cannot do all at once, well, I guess you can, but something’s got to give (and that usually is the kids in my house). So my interpretation is that you can have it all at different times. There are times for school, marriage, for children, there are times for a good job and there are times for art.. to name a few big ones.

Personally as a mother, wife, daughter, and then if I’m lucky artist- oh yeah, I forgot my “real” job, well today is (pick one): web graphic designer/small business owner/jewelry designer (geez I’m tired just writing about it.).

So what is important to you: The business of art or making art? -Both is also a good answer.

Yours truly,
Mariestella