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Buy Art Online without the Risk

May 1, 2012 in Art Blog, Art Notes, In the News, Resources

Buy Art Online without the Risk with Rise Art

Investing in a piece of original artwork can often be a risky business. For first time buyers especially, navigating the world of galleries can be an intimidating and time consuming process. And what happens if work that looked impressive on gallery wall, does not look great when hung above your mantelpiece?

This is where Rise Art comes in. Offering affordable art including expertly curated collections of limited edition prints, photographs and original paintings, Rise Art allows collectors to rent a work before deciding whether to make a long term commitment. Showcasing a wide range of exciting emerging and acclaimed artists, Rise Art offers consumers the chance to be a little more daring about the work that they choose to bring into their homes.

Discover work you love by taking Rise Art’s free art quiz. Their curators will then send you a selection of artwork that matches your taste in art. When you find something you love, rent the artwork first, and Rise Art will send it to you framed and ready to hang. Rent for as long as you like, use credits from rental to purchase the work, or return it completely free of charge. Rise Art takes care of everything, including the return shipping!

Rise Art releases new original art each week. Recent releases include extraordinary prints by V&A exhibitor Kristjana S. Williams, paintings by New Contemporaries recipient Andy Jackson, and photography by Pedro Guimaraes.
The aim of Rise Art is to bring accessibility to the world of art and art ownership, while helping people buy art with confidence. Artists are provided with a platform on which to showcase their works and art buyers and lovers can be kept updated in relation to artists whose work they may have purchased. In an increasingly digital age, Rise Art is bringing art ownership to the many, rather than the few.

What do you think about Rise Art’s new model?

For more info visit their website: www.riseart.com

What is Pictify?

April 24, 2012 in Art Blog, Art Notes, In the News, Resources

-Another pinteresting idea.. love it.

Pictify is the global home for sharing your favourite artworks, seeing other people’s, adding your comments, and building your own collection of
favourite paintings, sculptures, photography, drawings, or any other art medium.

Through Pictify you can share all art from the earliest cave drawings, the Renaissance, Old Masters and Impressionists to art works created today.

If you love art and want to share it with millions of other people all over the world Get Started now on Pictify.

Pictify for individual members

Your chances of owning a Van Gogh, Monet, Hockney or Hirst might be pretty slim but on Pictify you can. You can curate your own collections
of art, make albums of your favourite paintings, photographs, sculptures and so on, and you can share your albums with your Pictify friends and
followers.

Visit pictify.com

Arts for the Earth

April 22, 2012 in Art Blog, In the News

Arts for the Earth Programs

by earthday.org

Greening Museums and Art Venues

GOALS FOR MUSEUMS AND ART VENUES
“Museums, as essential contributors to our educational infrastructure, play a critical role in engaging the public in environmental issues, with a unique ability to connect all Americans to the great 21st century challenge of ensuring a sustainable planet for generations to come. The American Association of Museums will encourage our member institutions to put their scholarship and creativity behind Earth Day and its 40th anniversary.” Ford W. Bell, President of the American Association of Museums.

Goal 1
Environmental Programming

Museums and art venues have countless ways to educate about the environment:

* Develop an exhibit or tour based on environmentally-related items already within your collection.
* Host an environmental-related education program, workshop, speaker or panel and invite your members and the community at large to attend.
* Hold an environmental-related performance, such as dance, music, poetry or a play that pertains to the environment.
* Provide an evening tour of exhibits that are environmentally-related, followed by a reception.
* Host children’s activities with an environmental theme.
* Give green tours highlighting any of your sustainability measures (see Goal #2 below).
* Expand on Earth Day Network’s global education curriculum by allowing us to highlight environmental items in your collection or sustainability practices you are taking.
* On Earth Day, or during the month of April, sponsor a collection or donate a percentage of any entrance fees to a global environmental organization such as Earth Day Network or a local cause.
* Partner with museums and other art venues in other cities, states or countries through our network.
* Provide a community service such as a site cleanup, tree planting, electronic recycling collection drive, organize an eco-mural, host a farmers’ market or become a distribution site for community supported agriculture.
* Allow free or reduced entry fees to visitors who bike or take public transportation to your institution on Earth Day, April 22, or during the month of April.

Goal 2
Sustainability of Facilities and Reducing Carbon Footprint

Buildings, due to the large amounts of energy required to operate and maintain them, are huge contributors to CO2 emissions. There are many opportunities to minimize a building’s carbon footprint through better management, implementation of new technologies, and encouragement of employee behavioral changes.

Here are some policy implementation ideas for increasing your institution’s sustainability and reducing your operation’s carbon footprint:

* Use the minimum amount of energy possible by encouraging simple measures such as lightbulb replacement with energy efficient lighting sources, use of motion-sensor lights, and encouraging employees to turn off lights when not in use.
* Enhance your building’s energy efficiency by replacing windows and doors with energy efficient models and by insuring proper insulation. Some buildings are installing green roofs to increase insulating properties.
* Use renewable resources, instead of fossil fuels, for heating, cooling and power. Renewable and more energy-efficient electricity systems — including solar photovoltaic cells, geothermal systems, wind turbines, and biomass combustion — often have longer paybacks but tax incentives which vary by state can make these affordable.
* Replace equipment such as appliances, office equipment, consumer electronics, and other hardware with energy efficient products. This will result in lower electricity bills.
* Retrofit your building’s water fixtures to reduce water use and to save on hot water heating. Such measures will reduce the energy used in water treatment, distribution and wastewater conveyance. This type of retrofitting is relatively low-cost and easy to perform and will lead to reduced water costs.
* Reduce your institution’s transportation impacts by reducing the amount of travel for exhibits and personnel, and use video-conferencing when possible.
* When traveling, rent hybrid vehicles or take public transportation and stay in “green” hotels.
* Use sustainable vehicles and fuel conservation strategies. For example, when replacing fleet vehicles, purchase hybrid cars and trucks, or purchase the most fuel efficient models.
* Provide incentives for your employees to use public transportation, to carpool and to telecommute when feasible.
* Buy less paper and supplies and replace with recycled and reusable materials.
* Green your IT as appropriate, for example: use server virtualization; set your electronics on auto-sleep mode during off hours; purchase multi-function devices to replace single purpose printers, photocopiers and fax machines; replace existing computers with Energy Star 4 models; include new collaborative tools such as Window’s Live Meeting, Groove and Office Communicator – thereby allowing staff to collaborate on-line and further reduce the need for business travel.
* Reduce indoor pollutants by purchase eco-friendly products such as those with low volatile organic chemicals. For example, choose low toxicity cleaning supplies, furniture, cabinetry, paints and stains.
* Reduce waste by using reusable products, recycling, and on-site composting.
* Investigate green exhibiting options.
* Ensure outdoor areas have appropriate storm water management (e.g., through the use of permeable hardscapes, driveways, rain barrels and/or cisterns).
* Reduce the use of pesticides.
* Source food and products locally when possible.

Goal 3
Communication of Actions

The museums and arts communities have a unique ability to raise awareness and educate through action and programming. You can be a leader in the environmental movement by communicating your environmental policy initiatives and educational programming to your patrons, supporters, and the public at large.

Ideas include:

* A sustainability page on your organization’s website
* A blast email to your organization’s listserve setting forth your environmental goals
* Fundraising efforts to help achieve the above goals
* Public programs that discuss your organization’s efforts
* Press releases
* Exhibits
* Speakers
* Reporting environmental accomplishments to Earth Day Network for inclusion on our Arts for the Earth™ webpage which is designed as a forum sharing site for green ideas in the museum community, art world and beyond
* Blog about your organization’s environmental programming and practices
* Use FaceBook and Twitter to communicate your organization’s environmental programming and practices

Earth day article and resources

re: Irving Blum

April 19, 2012 in Art Blog, In the News

Irving Blum on Sleeping Girl on Nowness.com.

The Legendary Art Dealer Talks the Birth of Pop and Roy Lichtenstein’s Cartoon Beauty

Pop gallerist extraordinaire Irving Blum discusses the pivotal moment he discovered Roy Lichtenstein’s iconic masterpiece “Sleeping Girl” with Sotheby’s Worldwide Head of Contemporary Art, Tobias Meyer. Becoming Director of Los Angeles’s Ferus Gallery in 1958 after buying the stake of departing artist and co-founder Ed Kienholz for the princely sum of $500, Blum made Ferus central to the burgeoning LA art scene through championing emerging New York stars like Frank Stella, Jasper Johns and Andy Warhol. “Ferus was pivotal,” enthuses Meyer, who also interviewed fashion designer Tom Ford and Chief Curator at MOCA Paul Schimmel as part of an upcoming series of films celebrating “Sleeping Girl.” “There was no other West coast gallery in 1962 that showed Andy Warhol. It was where all the important artists were showing.” Closeted in Beatrice and Phillip Gersh’s private collection for the past 50 years, Lichtenstein’s sultry “Sleeping Girl” is on display at Sotheby’s in London, before traveling to New York and going on auction in May with an estimate of $40 million—a substantial price tag for a work which originally sold for a mere $1,600. NOWNESS spoke to Tobias Meyer as the lauded painting went on display at Sotheby’s Bond Street.

read the complete article >>

The Artist Formerly Known as Xu Zhen

April 9, 2012 in Art Blog, In the News

Risky Business via Artnews

Xu Zhen is MadeIn and MadeIn is Xu Zhen,” says Xu Zhen, 34, the Chinese artist who in 2009 claimed to end his art career and formed a company to produce all future artworks. Sitting in his corporate headquarters, a two-story warehouse in an industrial zone that is a new art district far from the center of Shanghai, Xu Zhen (pronounced Su Jen) seems highly amused by the confusion he has caused. With his long rectangular face punctuated by stylish rectangular eyeglasses, he looks too young to have already accumulated a decade of experience in the Chinese art world. Comparing himself to Bill Gates and Steve Jobs, he says, “All prestigious companies are known by their founders, not the other way around.”

MadeIn—a spoof on the phrase “Made In China”—has only extended Xu Zhen’s reach and his reputation. In just over two years, MadeIn has shown at ShanghART Gallery, the artist’s longtime dealer; Long March Space in Beijing; and James Cohan Gallery in New York. Last spring, the company had a solo show at the Kunsthalle Bern in Switzerland.

“MadeIn takes the factory idea of Andy Warhol a step further,” says Kunsthalle director Philippe Pirotte. “Xu Zhen’s formation of MadeIn as a company is very conscious and self-reflective about the potential power China now has as a world art-market leader. When the Western world criticizes the Chinese art world as more market than discourse, Xu Zhen answers by saying that the only form of creative collaboration possible in China is a company.” Now, as the head of MadeIn, Xu Zhen directs dozens of employees working in such areas as research and development, artistic production, and archives.

In Bern, MadeIn presented “Physique of Consciousness,” which included photographs, videos, and demonstrations of an exercise routine based on prayer positions from various religions combined with movements from tai chi and martial arts. Pirotte discovered that visitors didn’t know that the exhibition came from China or that Xu Zhen was behind it. In fact, many didn’t realize that this was art at all and assumed that the museum was sponsoring an exercise program.

“The fact that Xu Zhen stopped being Xu Zhen the artist and became the CEO of a company: this would be considered suicide by the art market’s definition of a career,” Pirotte says. “But he took that risk and this has allowed him a kind of freedom.”

Xu Zhen has made a career of pushing boundaries. Born in 1977 in a Shanghai that had not yet developed into a high-rise international city, he attended Shanghai Arts & Crafts Institute as a teenager. When he graduated in 1996, he decided not to continue his education. Instead, he moved to Beijing to be at the center of the new art movements he had heard about.

“I couldn’t see myself spending my life painting from a model in a school,”

Xu Zhen says. He got the idea of going to Beijing after his father, a factory worker and carpenter, read him a news story about the famous Yuanmingyuan artist colony on the outskirts of the city, where artists such as Fang Lijun and Yue Minjun were living. But Xu Zhen never met these already successful characters. Instead, he spent a year hanging out with musicians and poets, talking about art more than making it. By the end of 1997 he had had enough, and he moved back to Shanghai. For the next several years, he, like many of his peers in Shanghai, worked in design companies to earn a living.

View the rest of the article >

Thomas Kinkade dies at 54

April 7, 2012 in Art Blog, In the News

“Painter of Light” Thomas Kinkade dies at 54

Artist Thomas Kinkade unveils his painting, "Prayer For Peace," at the opening of the exhibit "From Abraham to Jesus," Friday, Sept. 15, 2006, in Atlanta. (Credit: AP Photo/Gene Blythe)

(CBS/AP) One of the most successful artists of all time, prolific painter Thomas Kinkade the
selfdescribed “Painter of Light” died
Friday at the age of 54.
A spokesperson for the Kinkade family said the artist died at home in Los Gatos, Calif.,
apparently of natural causes.
Kinkade’s paintings were anything but controversial, depicting scenes of a lightfilled America
with a heavy emphasis on home, hearth and church. His sentimental scenes of country gardens
and pastoral landscapes in dewy morning light were beloved by many but criticized by the art
establishment.
The painter once said that he had something in common with Walt Disney and Norman
Rockwell: He wanted to make people happy.
Those lightinfused renderings are often prominently displayed in buildings, malls, and on
products — generally depicting tranquil scenes with lush landscaping and streams running
nearby. Many contain images from Bible passages.
“I’m a warrior for light,” Kinkade, a selfdescribed devout Christian, told the San Jose Mercury
News in 2002, a reference to the medieval practice of using light to symbolize the divine. “With
whatever talent and resources I have, I’m trying to bring light to penetrate the darkness many
people feel.”
And he had a large following: Kinkade’s paintings and spinoff products were said to fetch some
$100 million a year in sales, and to be in 10 million homes in the United States.
Chances are you either have one of his paintings in your home, or you’ve been in a home that
does.
While Kinkade’s volume of work featured a lot of flowers and sunshine, he was no shrinking
violet calling himself the most collected living artist of all time, reports CBS News
correspondent Dave Browde.
In a 2001 “60 Minutes” profile of Kinkade, Morley Safer took us behind the scenes of a studio
that looked more like a factory . . . a factory that produced massmarket art.

view original CBS article >

Pinteresting

March 24, 2012 in Art Blog, In the News, Just because

Dear GalleryArtists,
If you need to “see” what people are thinking, you have to check out Pinterest.com Have you seen it?
This is how it works, See something you like, comment on it, and pin it, people see it and re-pin it or like it..You can make theme driven “boards”, you can follow people and people can follow you, embed your pin, or other people’s pins, connects to Facebook, etc.. PERFECT for visual artists to get the word out.. This can go on for hours.
I see it as the twitter for the visually inclined. Yes, it’s relatively addictive.
Here are a few pins that are interesting (the search query was “installation art”).

 

Yours truly,

Mariestella


Damien Hirst (1965–2012)

January 20, 2012 in Art Blog, In the News

Gagosian Gallery hosts a display of the late artist’s spot paintings

Damien Steven Hirst, the world’s richest artist ($332 million according to Britain’s Sunday Times), full-time businessman, part time art-collector, sometime restaurateur, P.T. Barnum imitator, and most famous member of the Young British Artists (or YBAs), a creative covey who came to prominence in the 1990s, died last Thursday, January 12, in New York.. He was 46.”

read more

This Nation Calls For Action, and action now

November 17, 2011 in Art Blog, In the News

Lessons NOT learned…

“..A host of unemployed citizens face the grim problem of existence, and en equally great number toil with little return. Only a foolish optimist can deny the dark realities of the moment.

Primarily, this is because the rulers of the exchange of mankind’s goods have failed through their own stubbornness and their own incompetence, have admitted their failures and abdicated. Practices for the unscrupulous money changers stand indicted in the court of public opinion, rejected by the hearts and minds of men.

Stripped of the lure of profit by which to induce our people to follow their false leadership, they have resorted to exhortations, pleading tearfully for restored conditions. They know only the rules of a generation of self-seekers.

They have no vision and when there is no vision the people perish.

Our greatest primary task is to put people to work. This is no unsolvable problem if we face it wisely and courageously.

It can be helped by preventing realistically the tragedy of the growing loss, through foreclosure, of our small home and our farms.

There are many ways in which it can be helped, but it can never be helped merely by talking about it. We must act, and act quickly.

..in our progress toward a resumption of work we require two safeguards against a return of evils of the old order: there must be a strict supervision of all banking and credits and investments, there must be an end to speculation with other people’s money, and there must be provision for an adequate but immediate assistance of the several States.

This Nation Calls For Action, and action now.

The people of the United States have not failed. In their need they have registered a mandate that they want direct, vigorous action.
They have asked for discipline and direction under leadership. ”

-Franklin D. Roosvelt, excerpt on his first inaugural speech announcing policies that re-established the US economy after the Depression.

—————————————————-

“If the American People ever allow the banks to control the issuance of their currency, first by inflation and then by deflation, the banks and corporations that will grow up around them will deprive the people of all property until their children wake up homeless on the continent their fathers occupied. The issuing power of money should be taken from the bankers and restored to Congress and the people to whom it belongs. I sincerely believe the banking institutions having the issuing power of money are more dangerous to liberty than standing armies.

We are completely saddled and bridled, and the bank is so firmly mounted on us that we must go where they ill guide.

The dominion which the banking institutions have obtained over the minds of our citizens…must be broken, or it will break us.”

-Thomas Jefferson On a Letter to James Monroe, January 1, 1815.

This Nation Calls For Action, and action now

November 17, 2011 in Art Blog, In the News

Lessons NOT learned…

“..A host of unemployed citizens face the grim problem of existence, and en equally great number toil with little return. Only a foolish optimist can deny the dark realities of the moment.

Primarily, this is because the rulers of the exchange of mankind’s goods have failed through their own stubbornness and their own incompetence, have admitted their failures and abdicated. Practices for the unscrupulous money changers stand indicted in the court of public opinion, rejected by the hearts and minds of men.

Stripped of the lure of profit by which to induce our people to follow their false leadership, they have resorted to exhortations, pleading tearfully for restored conditions. They know only the rules of a generation of self-seekers.

They have no vision and when there is no vision the people perish.

Our greatest primary task is to put people to work. This is no unsolvable problem if we face it wisely and courageously.

It can be helped by preventing realistically the tragedy of the growing loss, through foreclosure, of our small home and our farms.

There are many ways in which it can be helped, but it can never be helped merely by talking about it. We must act, and act quickly.

..in our progress toward a resumption of work we require two safeguards against a return of evils of the old order: there must be a strict supervision of all banking and credits and investments, there must be an end to speculation with other people’s money, and there must be provision for an adequate but immediate assistance of the several States.

This Nation Calls For Action, and action now.

The people of the United States have not failed. In their need they have registered a mandate that they want direct, vigorous action.
They have asked for discipline and direction under leadership. ”

-Franklin D. Roosvelt, excerpt on his first inaugural speech announcing policies that re-established the US economy after the Depression.

—————————————————-

“If the American People ever allow the banks to control the issuance of their currency, first by inflation and then by deflation, the banks and corporations that will grow up around them will deprive the people of all property until their children wake up homeless on the continent their fathers occupied. The issuing power of money should be taken from the bankers and restored to Congress and the people to whom it belongs. I sincerely believe the banking institutions having the issuing power of money are more dangerous to liberty than standing armies.

We are completely saddled and bridled, and the bank is so firmly mounted on us that we must go where they ill guide.

The dominion which the banking institutions have obtained over the minds of our citizens…must be broken, or it will break us.”

-Thomas Jefferson On a Letter to James Monroe, January 1, 1815.